Eyes of Sophia: A Dream Come True

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So to really help Ruby, Tizzy used her magic to restart the race and this time let Ruby race all by herself with her support. When Ruby won, Tizzy finally succeeded in making someone's dream come true and earned her wings. Tizzy appeared in " The Birthday Wish " in her second major role after Sofia's birthday turns out horribly due to a series of unfortunate disasters.

Sofia the First

After showing up late to the party due to not knowing what gift to bring, Tizzy learns about the ruined party from Ruby. Overhearing Sofia's wish to redo her birthday, Tizzy casts a spell that causes Sofia to relive her birthday. Due to Tizzy failing to read the full details of the spell, this ends up trapping Sofia in a time loop as the spell requires Sofia to have a truly happy birthday before it can be broken. Sofia makes multiple attempts to avoid all the problems on her birthday, ending up exhausted after living through thirty-seven repeats and is disappointed when the final attempt does not work despite nothing going wrong.

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Eventually, Sofia realizes that she can only be truly happy by accepting the accidents and looking on the bright side of things. This causes time to finally proceed, and Tizzy looks over Sofia under a rainy sky. Sign In Don't have an account? Start a Wiki. Tizzy is a character who appears in the Sofia the First episode " In a Tizzy ". Mamma mia! Loren makes her own bed, cleans her own room, he says. We pull off the highway and follow an unmarked dirt road winding to a cluster of green wooden buildings partially visible through trees and bushes.

There is a main house and two smaller ones up the hill to the right, each fronted by its own swimming pool. As we pull into the parking area, under a massive oak tree whose branches provide shade for the entire driveway, we pass two former stables, one of which is being converted into living space for the Ponti boys.

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The spread is unprepossessing, understated, European in feel. And, like most Southern California homes, it comes with a celluloid history: Eve Arden once lived here. She is brisk, efficient, and wary: the palace guard. Behind her walks the lady of the manor, wearing a red, royal-blue, black, and white flower-patterned silk afternoon dress. Her jewelry—like her features—is mismatched pieces that work together only because the woman wearing them can pull it off. On her finger, a similar blue stone flashes from an immense dinner ring, while an incongruous diamond-and-ruby pin adorns the V neck of her dress.

Sofia the First

She is coiffed and made up, exhibiting the severe dressiness only European women can carry off in the middle of the day. Loren leads the way through the house, a series of cool, dark rooms with more skylights than windows. We pass through a double living room inhabited by oversize sofas and chairs arranged in two sitting areas, one of which accommodates a large television.

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A longish mahogany table is covered with silver-framed photos of the Ponti family, and glass goblets of chocolate candies are scattered everywhere. We travel on into the music room, nearly taken up by a baby grand piano, where Ponti, the children, and several guests lounge on a sofa and chairs, recovering from lunch.

Carlo Ponti is seventy-seven. Friends remark that, for the first time, he is looking his age.


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His hair is white and wispy, and his face, for years pleasantly pudgy, has assumed a gaunt look. But Ponti is still cagey, observant, and utterly confident, as quick to smile—revealing a mouthful of irregular teeth—as he is reluctant to speak. His role is clearly that of the counselor, the implementer, the producer. His first film, made when he was twenty-three, was an overnight hit. Women, women, women. And then came Loren. They seemed the most illogical of star-crossed lovers—the young, beautiful child of the slums who could have any suitor she wanted, and the short, balding, married man old enough to be her father.

What on earth was she doing with him? Getting exactly what she needed, Loren says matter-of-factly. I was adopted by Carlo and I married my father. That is it. I was born with him. He gave me what I needed and wanted. Loren had arrived in Rome from Naples, accompanied by her mother, a headstrong beauty who had missed her own chance at stardom when her family refused to let her take advantage of a Greta Garbo—look-alike contest she had won, the prize for which was a trip to Hollywood and a screen test. Riccardo Scicolone was handsome and undependable.

When Romilda got pregnant, Riccardo disappeared.

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Subsequently, Sofia Scicolone, child of an unwed mother, was born in a charity ward in Rome. In , a film producer christened her Sophia Loren. Abandoned, broke, and burdened with a newborn, Romilda scraped up the bus fare and returned to Pozzuoli. As her movie fans know so well, it was here, in a two-bedroom house crowded with relatives, that Sophia Loren grew up, skinny, ugly, and cursed with the stigma of her illegitimacy. The situation was exacerbated when, at age four, she was joined by a sister, Maria, incredibly enough a second illegitimate daughter by Scicolone, whom Romilda had sought out again during a trip to Rome.

This time, however, Riccardo refused to give the child his name. And because I was starting to become a little bit known and had money, he made me pay 1 million lire to buy my sister her name. Eventually, to the chagrin of her family, Romilda pulled Sofia out of school and headed once more for the Eternal City in search of the eternal payoff.

When I was just fourteen and a half, she had such a moment and we went to Rome. She is still in shock from what she did. When she was fifteen, Loren met Ponti one evening in Rome, where he was judging a beauty contest she had entered. He was, Loren claims, the perfect gentleman. The test was a flop, as were subsequent attempts over the following year. Ultimately, Ponti gently suggested she might want to do something about her ample hips, her nose. When she refused, he never mentioned it again.

Their personal relationship fared better. Ponti kept calling, visiting. But this was the extent of our contact.


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There was nothing serious between us. We played around, we did not have intercourse, not until later. I concentrated. In anything you do you have to concentrate. You have to do the thing with love. I knew almost right away.


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  5. He was intelligent. And I liked being with him. I felt protected. I felt like I was not alone anymore. According to Loren, only one man ever threatened her relationship with Ponti: Cary Grant. It was her first Hollywood role. She was twenty-one, he was fifty-two. Though Ponti had given Loren a diamond ring two years earlier, he was still living with his wife and dragging his heels on a divorce.

    Grant, meanwhile, took one look at his voluptuous co-star and. During filming, the two wined and dined, and Grant proposed. That, it appears, was enough to jump-start even the complacent Carlo. Less than a year later, when Loren went to Hollywood to make Houseboat, again with Grant, Ponti arranged a quickie, all-in-one Mexican divorce and proxy marriage ceremony. At last, Carlo and Sophia were man and wife—though the union was short-lived. The Vatican refused to recognize the Mexican proceeding, charging Ponti with bigamy and referring to Loren as a concubine. That marriage was annulled in In they became French citizens and married each other again.

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    Had she married Cary Grant instead, Loren believes, it would have lasted. But in she got an unexpected call from her former beau, then eighty-two. I was in New York, and he called me there. A month later he died. He never called me like that. Sometimes he sent a message through mutual friends, but never a call to Sophia.

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